Turner's The Pifferari: A Masterpiece of Color and Romantic Vision
Unbelievable colors. That’s the first thing I noticed about this painting in the Kelvingrove Art Gallery and Museum, Glasgow. The second thing was the total lack of a distinguishable theme. It is a landscape, but it does not have a well-defined foreground, middle, and background. Instead, this landscape shows you all of them at once, as it were, swirling with the soft yellows, browns, and greens, which, in turn, are eclipsed by the dazzling blue of the sky and its reflection in the lake. The staggering azure of the sky is heightened by wispy white clouds. Modern Italy: The Pifferari . (1838). Joseph Mallord William Turner Only after experiencing the shocking richness of the colors do you notice the people on the left and right side of the painting. I didn’t read the museum label, and my first impression was that the figures on the left represented the Holy Family; the woman in white and blue resembles the classical portrayal of the Virgin Mary, with the dark-robed figur...