Posts

Exploring the Hidden Meaning Behind a Polish Masterpiece: Nec Mergitur by Ferdynand Ruszczyc

-
Image
If you’ve seen this painting of a sailing ship, scattering water drops like diamonds in its wake, you may have wondered, as I did, about its story. The swirling stars and shimmering waves in jewel-like colors lend this marine painting a magical quality that is hard to forget. Adding to its mystery is the fact that it has an intriguing message of hope and struggle for liberty at its core.   Nec mergitur. 1904-1905. Ferdynand Ruszczyc Ferdynand Ruszczyc (1870–1936) was a Polish painter known for his atmospheric and stirring landscapes. He depicted the snowy forests and plowed fields of his home, imbuing his images with a legendary and epic depth and gravity. One of his most impressive paintings is Ziemia (Land), painted in 1898. Ziemia. 1898. Ferdynand Ruszczyc The painting currently known as Nec Mergitur was painted in 1904-1905. The title is part of the Latin phrase fluctuat nec mergitur “(she) is tossed by the waves but doesn’t sink.” This phrase has been the motto of...
Post a Comment
Read more

Uncovering the Story of Danger and Survival Behind Titian’s Portrait of Ambassador

-
Image
Looking at Renaissance portraits can be fun even if you don’t know the sitter’s name or story. Even more so, if you manage to find out who’s depicted and why the artist included all the fascinating details that make pre-19 th century portraits so enigmatic . Portrait of the Ambassador Gabriel de Luetz d'Aramon. 1541-42. Titian Titian’s portrait of the ambassador to the Ottoman Empire, Gabriel de Luetz d'Aramon (or d’Aramont), is a perfect example of the masterly portraiture technique that earned Titian commissions from Europe’s nobility and kings. The date of the portrait is unclear – some scholars favor an early date of 1541-1542, while others (including me) believe it was painted in 1546, after he’d been appointed ambassador to the Turkish sultan. So, what’s the story of this nobleman who had his portrait painted by "the king of painters and the painter of kings", as Titian was dubbed during his lifetime? A Dangerous Assignment In this remarkable portrai...
Post a Comment
Read more

From Icons to Christmas Cards: Angels in Art

-
Image
  “The more materialistic science becomes, the more angels shall I paint: their wings are my protest in favour of the immortality of the soul.” – Sir Edward Burne-Jones   The jewel-hued angels of the Pre-Raphaelite artist Burne-Jones often grace Christmas cards and ornaments, but did you know that their regal appearance goes back to the way angels were depicted before the onset of Renaissance? Before angels turned into chubby children, like those at the foot of Raphael’s Sistine Madonna, they were portrayed as adults in shining robes, as described in the Bible.  Have you ever wondered why there are so many baby angels in old European art? If you’re confused by the number of tiny, winged infants in art history, this article will clarify some of the misperceptions about angels in paintings.   Brief History of Angels in Art Religious Baroque art abounds in angels, floating on clouds. Often, they look like small children with small and not very efficient-lookin...
Post a Comment
Read more